O Apartamento ⧫ Content Writing \ Translation ⧫ {ONGOING}
UTIL ⧫ Story about CPRV for the brand's journal ⧫
UTIL ⧫ Story about Louis Meeus Sfat for the brand's journal ⧫
UTIL ⧫ Story about Birgit Sfat for the brand's journal ⧫
AGOBAY ⧫ Story about CAM Gulbenkian ⧫
UTIL ⧫ Story about João Pombeiro and his Palacete Soares Mendes for the brand's journal ⧫
UTIL ⧫ Story about FROM INDUSTRIAL DESIGN for the brand's journal ⧫
UTIL ⧫ Story about Guilherme Bívar & Marta Pavão for the brand's journal ⧫
AGOBAY ⧫ Story about L'AND Vineyards ⧫
AGOBAY ⧫ Story about Pa.te.os ⧫
AGOBAY ⧫ Story about Casa de Chá da Boa Nova ⧫
Proofreading ⧫ A few feature articles for Vida de Mercado magazine #6 ⧫
Proofreading ⧫ A few feature articles for Vida de Mercado magazine #5 ⧫
Fantastic Paper No. 2 ⧫ Interview to Julie de Halleux \ Lisbon by Design ⧫
Fantastic Frank Lisbon ⧫ Several articles for the global blog ⧫
Openhouse ⧫ Article 'Palácio do Grilo — A dream within a dream' ⧫ English & Portuguese version ⧫
FARE ⧫ Article 'Joana Astolfi - This place is a treasure hunt' \ Translation 'Os Quiosques de Lisboa' written by Inês Matos Andrade \ Other bits and pieces ⧫
ATTITUDE — Interior Design Magazine ⧫ Contributing Writer ⧫ Several articles ⧫
WRONG JOURNAL ⧫ Two articles \ 'Beard and Ginger Take on The World' + 'Finding Solace In Living Well' ⧫
STUCCO ⧫ Book editing + proofreading ⧫ Project for 327 creative studio ⧫
STUCCO ⧫ Folding Booklet proofreading ⧫ Project for 327 creative studio ⧫
PERFECT STRANGERS ⧫ Lisbon / London - A tale of two co-working cities ⧫
OPENHOUSE MAGAZINE ⧫ Casa di Marco ⧫
OPENHOUSE MAGAZINE ⧫ Studio Ødegaard - The Art of Sharing Thoughts Around a Table ⧫
FORA Journal ⧫ Interviews \ Writing \ Translation ⧫ Online + Print ⧫
GERADOR ⧫ O Fado Vadio anda de boca em boca ⧫
Taste of Portugal ⧫ Several Articles ⧫
Through Objects ⧫ Copyediting 'Nature Back to Design - Volume I' ⧫
Village People Mag by Village Underground Lisboa ⧫ Several Interviews \ Translation ⧫
TUNICA STUDIO ⧫ Interview to Motohiro Hayakawa ⧫
TUNICA STUDIO ⧫ Interview to Michael Willis ⧫